modern art, “Towards a Newer Laocoon.”1 These two articles, I believe, stake out the ground for Greenberg’s later practice as a critic and set down the main. Upon finishing my reading of Clement Greenberg’s famous essay Towards a New Laocoön, my initial reaction was to say to myself, “Ah that. Greenberg, Clement, () “Towards a Newer Laocoon” from Harrison, The title refers both to Gotthold Lessing’s Laocoon: An Essay upon the Limits of Poe.

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On the one hand he maintained that pop art partook of a trend toward “openness and clarity as against the turgidities of second generation Abstract Expressionism. There are several key contributing factors. It worked to be a picture, an illusion, an imitation, and grew tired of faking it.

Clement Greenberg – Wikipedia

After the devastation and demoralization of World War I, grenberg center of cultural life had shifted from Paris to New York City, where art-making was bolstered by several progressive policies of the Roosevelt administration and an influx of European immigration.

Thankfully you’ve unburdened me a bit, thanks! Still, the computer has its limitations. Painting was originally a fight against the medium. Games produce meaning, but in a greeenberg unique way, a way that no other medium can. Inthe Portland Art Museum PAM acquired the Clement Greenberg Collection of paintings, prints, drawings, and sculpture by 59 important artists of the lateth century and earlyst century.

In other projects Wikiquote. Poetry also attempted to make itself fractured, as with T. A final related factor is the natural generational shift of artists, programmers, and academics. Still, authorial control is a strange claim for cinema, since their production involves the collaboration of numerous people, including directors, screenwriters, cinematographers, producers, and so on.

Kitsch is the epitome of all that is spurious in the life of our times.

Greenberg was portrayed by actor Jeffrey Tambor in the film Pollockabout the life of Jackson Pollock. Category-Resistant This loacoon non-category covers web-based projects, Flash experiments, dance collaborations, and other miscellany.


At this point, what is left of painting—language alone? Visual art imitated at first poetry and narrative, then the lyricism and transcendent qualities of symphonies.

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But Carroll argues that a medium carries no inherent propensity toward particular forms or uses. Greenberg’s was a bit confusing to me, I didn’t grasp his thoughts too well. In the essay “American-Type ,aocoon Greenberg promoted the work of Abstract Expressionists, among them Jackson PollockWillem de KooningHans HofmannBarnett Newmanand Clyfford Stillas the next stage in Modernist art, arguing that these painters were moving towards greater emphasis on the ‘ flatness ‘ of the picture plane.

Compared to painting, film, or television, videogames greenbedg relatively new media. Greenberg’s antagonism to ‘ Postmodernist ‘ theories and socially engaged movements in art caused him to become a target for critics who labelled him, and the art he admired, as “old fashioned”.

The fact that Humble resorts to a written explanation of the rules only reinforces this idea. Apart from the persistent association of games with mindless entertainment, one difficulty plaguing the debate over medium specificity in videogames is their resistance to a single medium categorization.

Early videogames were created as distractions for university students, or downtime hobbies of scientists and mathematicians. This structure of production is really a shared characteristic with videogames, since most contemporary examples rely on large collaborative teams. Likewise, many Fluxus or performance works are conceived as rules alone.

Nascent Confessions: A Brief Interpretation of Clement Greenberg’s “Towards a New Laocoön”

Views Read Edit View history. Media Links Use these links to navigate directly to my media subdivisions. Game design is a second-order discipline, which differs from most every other expressive medium. Carroll would argue that they are all really working through questions of stylistic differences—namely, what are the prevailing characteristics of videogames that are aesthetically, intellectually, and morally worthwhile in our present cultural situation.

Clement Greenberg

Welcome to Nascent Confessions This is the home page for my blogs, which are really more displays of creative work of mine than blogs, per se. The key word with all of this is imitated ; Greenberg says that there was no way these art forms, especially painting, could have arrived at true recognition of themselves without first fighting against their fundamental natures.


Kitsch, on the other hand, was the product of industrialization and the urbanization of the working class, a filler made for the consumption of the working class: A public access portfolio of sorts for the poetry, prose, art, and developed thoughts of JM Rayner and those who influence him. This is the impetus behind much modern art, wherein interpretation or even coherence are left to the reader, rather than the author. Among the dominant trends in the Post-Painterly Abstraction are Hard-Edged Painters such as Ellsworth Kelly and Frank Stella who explored relationships between tightly ruled shapes and edges, in Stella’s case, between the shapes depicted on the surface and the literal shape of the support and Color-Field Painters such as Helen Frankenthaler and Morris Louiswho stained first Magna then water-based acrylic paints into unprimed canvas, exploring tactile and optical aspects of large, vivid fields of pure, open color.

The New Press,pp.

Though his first published essays dealt mainly with literature and theatre, art still held a powerful attraction for Greenberg, so inhe made a sudden name as a visual art writer with possibly his most well-known and grewnberg essay, ” Avant-Garde and Kitsch “, first published in the journal Partisan Review. This wave culminated in the abstract expressionist movement, borrowing the introspective angst of German expressionism and the modern abstract tendencies of French art and coupling it with a distinctly American sense of scale and bravado.

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